The Influence Of Allusive Names On The Perception Of Artistic Text

Abstract

Allusive names are the most common intertextual units in literary texts. When using allusive names,
the author must take into account the reader factor and the audience. Because in any historical period,
in one or another country, culture, individuals, religious, mythological, and literary heroes, with their
distinctive characters, occupy a place in the linguistic foundation of language users, thus become
allusions. Over time, they are formed in the form of stable lexical units, and the person who hears or
reads them has associations with these names. The author, who is able to use this in harmony with his
text, communicates indirectly with the reader. That is, the author communicates with the existing
information in the mind of the reader. The function of allusion as an intertext is visible here. Allusion
is actively used both in classical artistic and modern texts. In particular, this type of intertextuality is
very active in Alisher Navoi’s works. In this article, we analyze the effect of allusion as an intertext
on the meaningful perception of the text based on experimental materials.